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    All content on Kinky Clips is Role Playing Fantasy only.
    All content is consensual and is acted out by models of legal age.
    Random Clips more
     I KILLED HARLEY Q
    10 minutes
      I KILLED HARLEY Q - I KILLED HARLEY Q
SHOT DEAD COCKTAIL
Starring: Annabelle
 
Many different POV Scenes about killing nasty Harley Q – super evil crazy girl.
Some scenes have touching dead body fetish elements.
Poses are sexy. Death stares are amazing!  Who are you MrClown
    12 minutes
      Who are you MrClown - WHO ARE YOU, Mr. CLOWN?
2 BRUTAL BAGGINGS
NUDE CONTENT
LOTS OF FOOT AND LEG FETISHES
GREAT DEATH STARES
The maid was during her house work was surprised, attacked and bagged by clown. Who is he? What is hs doing in the house? No answers. Only terrible agony of young maind in her lasn minutes of her life. 
Bagging scene was done very well and naturalistic. 
When the house owner, young woman left her shower, nude and relaxed, she saw dead ,aid. She tried to escape, hit clown by a box and hid in the bathroom. But the clown found her and bagged. Terrible second death. 
The clown put bodies in the room and left his mask. Dead girls looked scared with their tounges out and eyes wide open. 
Ho are you, Mr.Clown?

If you like this horror please check:
Lewis the Wrapped
     CAN YOU KEEP A SECRET
    19 minutes
      CAN YOU KEEP A SECRET - CAN YOU KEEP A SECRET

CUSTOM

Cast: Mira Green, Bella Lenina, Alex

 

Mira has a secret lover, she found him on a chat site; she has been texting him ever since. He is her first boyfriend; she has decided he will become a lover.

She has arranged to meet him at her best friend’s apartment, she has the key to look after the place… while her friend is out of town visiting family; its going to be a ‘blast’!

Mira doesn’t know it yet but, she is in danger; Her father has left town because he owes money to the wrong people… people you don’t mess with. They can’t find her father but, they know where his precious little girl is… and they are going to send him a message. They have assigned a contract to Alex and he has set up his profile to get her interested in meeting. She has taken the bait, now he can enjoy his work.

Mira arrives at the apartment after college and heads for the guest room she has been using. She plans to change into something she has bought; something more appealing, more mature, more… ‘sexy’. She tries a few things against her in the mirror, she is still wearing her white socks, short pleated skirt and a tight top hanging over her cupped breasts which force her cropped top to hang out leaving a gap between her smooth body and the cotton material; the under frame of her brassier seductively teases under the hanging top and her waistband, designed to press her breasts up. Her cleavage teases out of the top of the limited material. A small pair of white cotton panties are visible every time she swings her petite body or bends to choose a new outfit. 

She is checking herself out in the long mirror deciding on what looks best against her; she slides her skirt up just to show off a little more leg; she loves herself.

Suddenly, there is a knock at the door, Mira knows its him… he is early; she quickly throws her try on clothes to one side and straightens the bed. She walks nervously to the door and looks through the spy hole. She is excited and decides she will act real sexy, let him see what she has and what she can do for him. She wants him in her bed.

Alex enters the apartment and offers her the single rose her has brought her. Mira turns excitedly, unsure what to do; she goes off camera to set the rose in a vase.

Alex looks around while she is gone, removing his coat and quickly drawing the handgun from his pocket to hide it where he can get it fast. He places its suppressor next to it, he will need them later but wants to enjoy the moment, the night is young.

Mira returns she has a bottle with her and two glasses; she pours the drink and the two begin to get close. They hook arms as they drink the wine and Mira turns away allowing Alex to slip his hands up and down her body as she enjoys his caress.

They move to the bed, Alex begins to enjoy his evening, his hands are everywhere, sliding her skirt up and raising her top to reveal her underwear. They move to the bed.

The scene shows Mira’s face in ecstasy as the assassin slowly slides down her body kissing each part of her naked flesh as he grips her legs. Mira is entangled in a sheet as she writhes arches and groans as we see the assassin, his head now between her legs hidden under the sheet. We see her panties sliding down her calf in the assassin’s hand and the scene ends with the assassin pumping himself against her as she moves sexily beneath him.

Some time goes by and we see Bella Lenina heading up the stairs to the apartment. She searches for her keys, her coat hides her tight lycra pants that cling to every centimetre of her legs ass and groin. She has heeled ankle length boots complimenting the shape of her legs and a light buttoned up blouse tight against her pert breasts. She enters the apartment throwing her keys on the table and drops her coat to the couch as she moves into the living room unaware the apartment is occupied.

Bella heads to the shower and begins to undress, she sits stretches and slouches for a few seconds, glad to be home. She drags off her boots and stands to slowly and sexily slipping her pants down her legs before unbuttoning her tight top and standing in just her open shirt, brassier and panties to head for the shower. We see her grab a towel and head for the shower. (I am happy with or without a shower scene).

The next scene opens with the assassin now aware that someone has entered the apartment. He quickly slips his pants and shirt on and checks Mira who is still soundly asleep totally satisfied and exhausted. She is lying across the bed her skirt still wrapped around her waist showing her bare ass, her top is folded above her bare breasts, her brassier discarded on the floor. The assassin slowly opens the door and sees Bella’s clothes lying on the couch. He knows he will have to silence a witness before he kills Mira and slips back into the room to retrieve his weapon silently closing the door behind him, slowly, quietly screwing his suppressor to his weapon. He can hear the shower and prepares patiently for his first victim.

We see Bella slipping on her nightdress, a plain light coloured thin shoulder strapped, cotton style, short and sexy. She slips on a clean pair of panties and hangs her towel to dry before leaving the bathroom. She is unaware of the intruder now watching her every move. Suddenly she is grabbed by the neck as she is slammed against the wall. The assassin presses his supressed pistol against her chest, pressing her breast upwards up with the muzzle. In shock she raises her hands in surrender whimpering, too afraid to make a sound that may anger the intruder. He releases his grip on her neck a place’s his finger to her lips and she nods her head in agreement. He withdraws his weapon as he slowly steps back placing his finger on his own lips to confirm his demand.

He beckons her to the table, indicating to her with his weapon that she should sit opposite him at the table; she reluctantly obeys. He lowers his weapon under the table still pointing at her belly. She sits obediently and waits for him to tell her why he is there.

Bella speaks:

“I have no money please don’t hurt me”

The assassin readies his weapon under the table and answers

“I am so sorry”

Bella begins her question but is unable to complete it… a single supressed shot finds her belly as she speaks.

“What do you w…” Bella jolts violently, her words cut off in mid flow; she moans lightly and looks down at the hole in her nightdress. She presses her hand against the crimson patch and looks confused at the blood in her hand. Bella looks up at the assassin who is now getting out of his seat; she sees the weapon and looks down again at her wound realizing what he has done. The assassin points and shoots hitting her just below her breast. Bella grunts her disapproval jolting and kicking in her chair. Her head drops back with an empty dead stare, her mouth wide open; she dies arched over the chair. The assassin moves toward her dead body as she begins to slide from the chair, he catches her and gently lowers her to the floor.

He admires her body, revealing her breasts then, rolling her over and lifting her nightdress to enjoy the view of her ass and groin as he inspects his work. He checks for a pulse, spreads her legs and fires a couple more bullets into her back, her dead body respond to the impact her ass shaking lightly from the impacts.  He leans over dragging he panties enough to reveal her buttocks, playfully squeezing then slapping her ass… It is time to wake Mira.

The assassin quietly opens the door and places his weapon down to get his boots on. He watches as Mira stirs, he sits on a chair near the door contemplating how he will slowly kill her and video his work for his employers to send to her Fathers email address.

Mira wakes, a content smile fills her face as she slowly raises and begins to tidy her clothes. She collects her panties from the floor and replaces them and pulls up a sock. She sits on the bed and purposefully acts sexy sliding her legs apart inviting her new lover to contemplate a second round, her breasts ooze from under her top, she slowly wraps them in her grip with her cotton crop top tantalizing the assassin her every move turning him on.

Alex picks up his weapon and Mira’s face changes in an instant. She straightens up and takes a deep breath in fear; she knows her Father has enemies and she knows she has just fucked one of them…

“Oh God… NO No n…”

The assassin fires without hesitation, Mira grunts a final “No” grabbing her belly wound and doubling up. She rolls over the bed onto her stomach and the assassin puts a second bullet in her side as she turns. Mira cries out and slides slowly off the bed tucking her legs into her chest in agony. The assassin switches on his phone camera and cocks his pistol. Mira kicks out and arches away grabbing at the wound as she gasps for breath. Her face is contorted with pain as she rolls onto her back. The assassin continues to film her as her body arches off the floor, her legs bent and open her groin pushed up in the assassins full view before sinking to the floor; she moans slowly. He kicks her legs apart points and fires two deliberate shots just above her stomach, Mira jolts momentarily and drops; her legs kick lightly even as she dies the assassin puts her out of her misery with a single shot in her left breast.

(Mira has a great death stare, eye half open and mouth open showing teeth)

He checks her pulse, throws his weapon on the bed and begins to enjoy rolling her body to check the small bullet perforations; plays with her breasts slapping her ass playfully as her begins to strip her body. We see the assassin throw her body on the bed and exit the room to retrieve Bella’s body.

We see the assassin throw Bella on the bed and begins to strip her. Both girl’s bodies lie arched over the bed with their panties partially down just covering their ‘dignity’; their legs hang off the bed. We see the assassin push both girl’s legs apart and he turns towards camera (Camera looking from other room, through the door) and slowly closes the bedroom door as he turns beginning to unzip his pants.  Star
    11 minutes
      Star - Pop star

starring:

amazing angelina

&

two new actresses:

russian and italian actress and  fashion model pola

juliana

 angelina plays famous but stupid pop-star. She is in the cottage with her pr-manager (pola) and image-maker (juliana). They are discussing new concert and pr-campaign when mad fan with gun breaks in the room  and shoots poor pola to the chest.

when pola is dying other **** are in stupor. The next ****** is juliana: she gets a bullet to her stomach and slowly dies on the bed. Then the maniac puts angelina’s throat and strangkles her on the bed. He takes her bra as a fan’s fetish element, takes ****’s bodies and makes a bodypile on the floor.

 fetish elements in pola’s death scene:

character: business ****, rich ****

look: white blouse, black office skirt, high heels.

death scene: one bullet shot to her chest, surprised reaction. She stands up in stupor, falls to her knees first and than falls to the floor.

fetish elements in juliana’s death scene

character – young , a little bit stupid ****

look: very jeans micro shorts and white t-shirt

death scene – surprise, taking a bullet to her stomach, agony, dying with surprised face

fetish elements in angelina’s death scene:

character: very rich glamourous pop-star

look expensive lingerie

death scene  - long  manual **********, legs kicking, tryong to escape, panic, tongue out, death stare

postmortem manipulations  - stripping dead body, making bodypile

fetish elements: shooting, *************, death stares, death reactions, fear, horror, *****, shooting to the chest, shooting to the stomach, sexy clothes, legs, bodypile

price: 15.00
run time: 11:00 minutes
file size: 400 mb	format: .Mp4
category: shooting, **********
     LAST TRAVEL
    10 minutes
      LAST TRAVEL - LAST TRAVEL
Starring: Alice M – young hot blonde with some hair  in her pussy
FETISH ELEMENTS

Strangulation, Manual Strangulation, Choking, Nude content only, Tongue out, jerking legs, trying to escape, long strangulation, strangulation by panties, limp fetish, death stare

Plot
Have you seen travel agency? Crazy manager strangled his assistant and two clients and took all money of company. When he felt himself rich after robbery he met a girl. They went to resort for his money. But he’s very greedy and if he pay even 1 dollar he things this girl owe him the all. 
He and his girlfriend entered the hotel room. It was very hot, so she took off her clothes – she’s nude, but she doesn’t like him and isn’t going to have sex with him. He strangles her very brutally. 
BEST STRANGULATION SHOW OF ALICE M  HOUSE OF SHOOTING
    16 minutes
      HOUSE OF SHOOTING - HOUSE OF SHOOTING
BONUS INSIDE!
7 DIFFERENT SHOOTING SCENES WITH 7 ACTRESSES IN 7 LOCATIONS!
STARRING: ANNABELLE, YANA, TANYA, WES, ANGELINA, LI, BELLA LENINA, SCARLETT FANDERA (New Professional Actress!)
PLOT
Shooter-terrorist enters the house and shoots all females inside the house
SEVEN GREAT SCENES OF SHOOTING (with no blood effect)
1.Annabelle was shot in massage-chair and her dead body was agonizing in massage
2.Yana was shot topless to her heart in her bedroom
3.Scarlett was shot in her back and heart in billiard room 
4.Bella Lenina was shot in Sauna
5.Tanya was shot in the kitchen
6.Li was shot suddenly when closed the fridge
Angelina was shot in swimming pool (great slow motion scene)
IF YOU LIKE THIS FILM PLEASE CHECK OUT
SHOT-DEAD COCKTAIL CATEGORY
RED PARTY
CLEANING SERVICE
     DEADLY SEDUCTIVE
    20 minutes
      DEADLY SEDUCTIVE - DEADLY SEDUCTION
VERY EROTIC SCENES!
Seduction, Lesbian erotic Games, Spy theme, Choking, Knocking Out, Playing with Limp Bodies, Masturbation, Forced Orgasms, 6 NECK SNAPS! – 3 different alternative ending with 2 deadly neck snaps in each one!
CAST: ANNABELLE, YANA, ANGELINA

MOST EROTIC SCENE IN CRIME HOUSE!
CUSTOM
«Okay, so... I am honestly at a loss for words. This is PERFECT. I don't mean to be rude, but as I mentioned at the beginning of our discussions, I wasn't sure if it was a good idea to order a custom video. I had a bad interaction with a producer in the past and it left me with a nervous feeling about the whole 'world' of film production. Well, like a dog going from a bad owner to a good owner, my whole understanding of the world has changed. XD 

Annabelle, Yana and Angelina are BEYOND amazing. They REALLY sell their characters and performances. Annabelle is gorgeous and a brilliant actress, she goes from serious, to light-hearted, to cold to warm SO flawlessly. She is a goddess, if there ever was such a thing before her.  THE ELF AND BAD SANTA
    38 minutes
      THE ELF AND BAD SANTA - THE ELF AND BAD SANTA



CUSTOM

CAST: Tatiana, Max, Annabelle

The theme of this story is that Tatiana is called to the office to be punished for naughty things she has done against Christmas.  She is insolent and defiant, but wants to keep her job, so she admits to some sins, willing to take a little punishment, never thinking that Max the enforcer knows all the bad things she has done, or what her ultimate punishment is. 

The enforcer begins to list her sins, and with each sin, gives her a punishment. 

I will leave it to your creative genius to use as many offenses and punishments as you can, till we get closer to the climax. 

Some transgressions she has committed: Misaddressing Christmas cards, hiding presents, badly wrapping presents, putting the wrong presents in the wrong packages, keeping toys for herself, not singing Christmas carols, using the wrong words in carols, not being happy with children on Santa’s lap, showing her cleavage to little boys, denying reindeer can fly—whatever you and your crew can think of. 

Each offense is punished by progressive harder, sexier, more sadistic punishments, such as slapping her hand, spanking her bottom (hand and/or ruler), face slapping, stomach punch, breast slap, hair pull, whipping her bottom, face punch, choking (one or both hands).

It is IMPERATIVE that T’s elf take these punishments with amusement, surprise, and pleasure (mixed with pain), willingly submitting even while showing some resentment at the abuse.  The harder they get, the more pleased surprise she shows—wide eyes, open mouth, with some pain but also delight.

As the list of sins goes on and on, however, and the punishments get harder, though, she beings to regret her willingness to accept them.

Two essential punishments for moderately severe offenses against Christmas: 

One:  T is forced to kneel on the ground and bend over at the waist, face shoved forward into the carpet, her bottom in the air.   Her feet are tied together and her hands are tied behind her back.  Her short dress is pulled up to expose her almost bare bottom, and she is paddled with something like a ping-pong paddle.  She gasps and cries with pain and struggles, and cries insults at the enforcer, but doesn’t really try get away or stop him.

Two:  T, still being insolent, runs and sits in the enforcer’s large, luxurious armchair, being impishly disobedient, having fun and mocking the enforcer’s seriousness, and what she regards as minor offenses.

T (sitting the chair like a queen):  This could be mine!  I could do your job!  You think you can keep me in line?  You hit like a girl!  Sissy!  Poor little boy, trying to be mean!  Come her—at my feet!

M (slowly approaches the chair, and pulls up the ottoman so he can sit close to T):  Little elf, I have not even begun to give you what you deserve.  (Suddenly, punches her breast (close up) hard enough to bounce her off the back of the chair.)

T (Gasps and shrieks a little, but lies back, wide eyed, looking at M with astonishment):  Wow!

M:  You were saying?  (Punches her other breast, just as hard (close up)).

T:  Owww! (Eyes even wider, mouth open with utter surprise, both at what M is doing and at her enjoyment of it.  She touches her breasts, then looks wantingly at M, and puts her hands back against the back of the chair, by her head, inviting more hits).

M (punches her breast even harder (close up).

T:  Uhhhhh!  (Head bouncing forward then back, then head leaning back, eyes almost closed, lips parted, in obvious pleasure.  She stays in her previous position, exposed.)

M (laughs a little, then punches her other breast, again bouncing her off the chair back).

T:  Oooph!   (slumps in the chair, overwhelmed with the pleasure of being hit so erotically)

M (stands, grabs the front of T’s dress and pulls her up, into the middle of the room.  She wobbles on her feet.  M grabs her breasts and pulls her toward him, her head and arms flying behind her.  He then spins in a tight circle, swing T by her breasts in front of him.  After two circles (her eyes wide, gasping and crying), he flings her by her breasts across the room.  She hits the floor and rolls under the Christmas tree.  As she lies there still, M goes to his desk to see what else T must be punished for.  She crawls timidly out from under the tree, unsure if she likes this game anymore.)

(T decides to try to seduce the enforcer, so she comes to him and tries to hug and caress him, rubbing her body against him, enticing him with her eyes, showing him her cleavage.  He lets her do what she wants for a while, then shoves her away.)

After being rejected and shoved the floor, she continues to try to seduce him, by preening, stretching, raising her stockinged legs, spreading her legs, rolling about, showing off her body in various inviting poses.  He ignores her at first, but finally exasperated, goes to the large armchair and sits.  He pats his lap and says, “Come sit on my lap.â€

Tatiana (thinking she was won the battle): “On your lap?  I’d love to.â€

Max:  Yes.  Come here.  I want to beat you.

Tatiana (surprised, but liking the idea):  You want to beat me?

Max:  Yes, I want to beat you.  You need to be beaten.

T (get up off the floor and sits on M’s lap, wraps her arm around him):  You can beat me, but wouldn’t you rather do something else?

M (laughs and begins nuzzling and caressing T all over, quickly getting an excited response from her.  He lets her hair down, and when she is breathing heavy, he stops caressing her.  “Ready?â€

T:  Yes!  Yes!  Ready for what?

M (takes her by the hair):  This!  (hit her hard twice in one breast with the side of his hand (the thumb side), like the edge of a knife or axe, knocking the wind out of T)  [we must see these hits close up to know what’s happening]

T (responds to hits with even more excitement)

M (caresses her some more, then moves her around and hits her other breast on the nipple four times with the side of his hand;  T jerks and gasps with each hit)

T (moaning with pleasure):  Oh, my God!

M (to himself):  Yes, you’ll meet him soon enough! (hits her breast twice more, as she gasps)  You’ve been so bad, trying to seduce Father Christmas’s enforcer!  How hard should I hit you for that?

T:  As hard as you want!

M (hits her four more times in the breast)

T (gasps and twists with each hit, but doesn’t try to stop M or protect herself)

M (after a pause, hits her breast twice more):  This is good.  How many times should I hit you for this new offense?

T (breathless, knowing she will be hit again):  As many times as I deserve!

M (shifts her around again and hits her other breast six times, fast and hard (close ups); T jerks and gasps with each hit).

T:  Oh! Oh! Oh! Oh! Oh! Oh!

M:  Naughty elf!  You don’t deserve your elf costume!  Take it off!

T (stand, strips off her dress, sits back on M’s lap):  Yes, I’ve been so naughty!

M (holding her by the hair, still using the edge of his hand, hit each of T’s breasts several times)

T:  Beat me!  Hurt me!

M:  You want to be hurt?  Take off your bra!

T (eagerly takes off bra and throws it away)

M (grabs one breast and holds it tightly (close up) while, using his palm now, slams his hand into each breast (close up) half a dozen times (fully shot to show holding her by the breast while hitting her, her arms spread wide, defenseless); T is becoming delirious with joyful/pain). 

M (shoves her off his lap and onto the floor):  On your knees!  Hands behind you!  Head back!  Lean back!

T (crawls to the middle of the rug on the floor and does as instructed)

M (kneels on the floor in front of T and punches her in each breast a number of times with his fist; T responds with little shrieks.  M hits her again, very hard, sprawling her on her floor, face down.  He slips his hand under her, grabs her breast and pulls her by her breast onto her back (close up of this action).   She lies, arms spread wide, breathing hard.  He straddles her, grabs her breasts, and pulls her up till she is bent at the waist.  She hangs by her breasts in his hands, arms limp, head hanging back.)

M:  You think you were going to get away with all your sins?  (Shakes T up and down)  Did you?  (shakes her up and down more, pushing and pulling her by her breasts; view sides and from above as he does)  Did you think you could seduce me and escape your punishment?  (shakes her) Did you?

T (finally trying to remove his hands, without success):  No, no!  I didn’t mean anything!  I know I deserve what’s happening!

M (shoves her to the floor and sits again at his desk, consulting his papers):  That beating was just for trying to avoid being disciplined for your worst sins against Christmas.  Do you understand that?

T (Still on the floor): Yes.  I’m sorry.  I won’t do that again!  I promise!  I’ll take what’s coming to me.

M:  You certainly will.  (Consults papers)  I’m coming to the end of the list, and I see here, you have two of the worst possible sins.  The second worst sin is, you have told children that Father Christmas doesn’t exist!

T:  But—but—I’ve never seen him!  I might be working all day for someone’s imagination!

M:  And you compound the sin to me!  Stand up!  By the fire, face me and take your punishment!

T (stands, feet together, in front of the fire)

M:  Deny Father Christmas, will you?  (slaps her face hard, a dozen times)

T (astonished, after the last slap):  Show him to me!

M:  You’re just making it worse for yourself!  (slaps her breasts a dozen times)

T (crying): I’ve done nothing wrong!  He’s not real!

M:  Hands behind your head!

T (clasps hands behind her head, staring at M, knowing she is going to be hit): Do it!

M (punches T hard in left breast four times (close up!)

T (at fourth hit, staggers backward)

M:  What are you doing?  I’m not done!

T (resumes her position, hands behind her head)

M (punches each breast several times on the nipple, and sideways (close ups), total six hits)

T (doubles over, hands over her chest)

M: Stand up!  You’re not finished!

T (resumes position, hands behind her head)

M:  Father Christmas does exist! (punches each breast three times, hard than ever, finishes with one more vicious breast punch that sends T to the floor; she lies on her side, arms stretched above her head)

M: Some elf you were! (Kicks her in the breasts, rolling her across the floor several times, then returns to desk)

T (slowly recovers, gathering her clothes (bra, dress, gloves, cap)as M returns to his desk; as he checks off items, she starts to stumble toward the door)

M:  Wait!  There’s just one more thing.

T (actually frightened now):  I haven’t done anything else!

M:  Yes, you have.  (Leaves desk and pulls T by her hair back into the room, to the large chair.  He pulls the ottoman into the middle of room while still holding T). 

M (holding T by the hair) You’ve told children THERE’S NO SUCH THING AS CHRISTMAS!!!  That is an offense worthy of death!

T: Nooooo!

M (sits on ottoman, pulling T down backward  so she is lying across his legs, on her back)

M:  There is no greater offense, and no greater punishment!  (Wraps a red stocking around T’s neck and tightens it.  As T struggles against the beginning of the strangulation):  Choose between being beaten to death (punches her breast on the nipple) or being strangled! (tightens stocking)

T (Speechless, terrified)

(For the next several minutes, T alternately tries to stop the strangulation and stop the beating.  When her hands try to pull the stocking away, M punches her breasts until T tries to protect her breasts with her hands.  When she tries to protect herself, he tightens the stocking a little more, edging her closer to asphyxiation.  This process repeats itself 3-4 times (distance shots and close ups).  Finally, T realizes she being strangled and death is near, so she stops trying to protect her breasts.  She claws at the stocking while M repeated punches each breast, harder and harder, trying to distract her; T lets him hit her, because she’s just trying to survive.  But it’s too late.  Slowly, even as M continues to hit her, her arms fall back behind her head.  M cinches the stocking down and punches her breasts until T shows no signs of life, and hangs limply across his lap.  He lifts her head by the stocking and shakes it, then pulls it back down and punches her breasts several more times (clearly seen).  Finally, he rolls her off his lap onto the floor, and kicks her onto her back.)

M (kneels and straddles her, grabs her breasts and pulls her up into a sitting position; she hangs by her breasts, dead, in his hands (mandatory: (1) side view, (2) close up, (3) camera moving from behind T, seeing her face, up and over her to look down on her breasts in M’s hands) and (4) view from high up above):  Naughty, naughty elf!  Father Christmas is the nicest old man in the world, and there’s no place for tarts like you, who question his existence and ruin children’s dreams!  (Drops her, stands and stomps on each breast several times hard enough to bounce her off the floor, saying “Bad elf!†with each stomp).

M (returns to desk, consults papers):  So much to do, so much to do!  (He works for a while, until his eyes stray and he sees a boy’s toy still unwrapped—a toy pistol that shoots rubber suction cup darts [e.g. by the Dreidel Company Detective Set, less than USD $10 on Amazon].  He looks at T’s body, and has an idea.

He props T’s body up against a wall (using whatever means you like to keep her upright), then takes some women’s lipsticks and draws round targets on her breasts, with her nipples as the bullseyes, then amuses himself for a while shooting the suction cup darts against her breasts (2x the 10-11 darts).  She stands passively, restrained up against the wall, head to one side, eyes open, lips slightly parted, as the darts hit her breasts and nipples (close ups), though they simply indent her breasts but don’t stick.  He enjoys this at first, but quickly tires of it.  He looks at T, looks around the room, and decides it needs more decoration.  He ties her hands behind her back and her arms to each other (she is limp, so he has to continually manhandle her, pushing her up against a wall and holding her there alternately by her neck, her hair, and just one breast), and then ties her feet together and, ties her thighs together, then wraps her body in a string of lighted Christmas lights (including wrapping some tightly around her breasts), puts her red stocking cap on her head, and hangs her by the neck from the ceiling. )

M (pours himself a drink and works at his desk as T dangles in the background):  So much to do!  So much to do! 

(The clock ticks by the hours, till it is near midnight.  M finally lowers T and takes off all the lights and wrappings.  He then makes out a label:  “Return to workshop.  Defective elf merchandise.† He then pulls out a large cardboard box and stuffs T into it, then stuffs packing papers around her, seals it up, put on the label and has it carted off by more helpers.

M (back at his desk): So much to do, so much to do!

(There’s a knock at his door, and another beautiful, sexily clad elf comes in and says): “Is this where I come to be punished for my sins?â€

Max winks at the camera.
     BATTLE IN SEXY BOOTS
    10 minutes
      BATTLE IN SEXY BOOTS - Starring: Yana and Maria A
 
Fetish Elements:
Fighting Girl VS Girl, Belly Punching, Garrote Strangulation, Death, Body Sexy Examination
Clothes:
Leather Clothes, Boots, Stockings, Jeans
 
Plot
A young sexy female spy in jeans, leather jacket and sexy leather  boots  enters a room with laptop with secret information. But a sexy female guard checks this room our and attacks weapon-free spy! After a fight,  the guard takes a garrote and strangles a spy to the death!
 
If you like thic clip please check out:
Deadly Fight
Fight Club  DANGEROUS SPY MISSION
    13 minutes
      DANGEROUS SPY MISSION - DANGEROUS SPY MISSION 2

CUSTOM 

STARRING: Mira Green, Judi 

«Excellent video! Again you were able to take a simple script and make a great short spy style film.»
Customer’s Review 


A spy has been sent infiltrate a location. She will sneak inside and come across one guard on patrol. The spy will contact her boss and ask how to proceed, her boss will inform her to eliminate the guard and take their clothes as a disguise. She waits until the guard has turned away from her direction then sneaks behind and strangles them. After the guard is dead she will drag them away somewhere private and undress the guard. The spy then dresses in the clothes of the guard. After that, they will make sure the body is hidden, check their surroundings, and then leave the scene. The film ends showing the guard in different angles.

- Location can be: office, house, mansion, etc.
- Guard is has handgun or SMG
- Strangle scene is done with a garrote, has no blood, and should be 1-2 minutes
- Two models: Judi and Mira Green, in either role
- The spy and her boss can communicate through radio or phone
- When undressing the guard the spy will do it slowly, they are not in a rush
- After the spy is disguised as the guard and leaving, they will try to act natural, pretending to be a guard

IF YOU LIKE THIS VIDEO PLEASE CHECK OUT
SPY IN THE SECRET MISSION
     DEADLY SESSION RAPE AND DEATH IN CHAT
    11 minutes
      DEADLY SESSION RAPE AND DEATH IN CHAT - CHAT
(DEADLY SESSION)
CAST: Alice M, Max
CUSTOM
‘’ Omg you guys did an AMAZING job on this custom!  Alice is PHENOMENAL!!!!  This lady can act!!!!   This video is nearly an exact translation of my script!!!  Thank you so much for this!!!  Once again, AWESOME JOB!!  LOVE it!!!!!  You guys are the best!!!  And kudos to this amazing actress!!!!!  :)  :)  :) ’
Customer’s Review 
CRUEL RAPE AND STRANGULATION SCENE IN LIVE VIDEO FORMAT!
MANY BREAST FETISH
PLOT
Pseudo-documentary video filmed in recording format from a monitor. The girl is chatting, when suddenly a maniac attacks her, begins to choke and rape right on the air. Chat commentators are shocked, they cannot help her with anything and begin to write greasy things. After a maniac kills a poor girl right in front of involuntary spectators, he begins to rape a dead body ....
IF YOU LIKE THIS CUSTOM PLEASE CHECK OUT
RED LEDGER  AMAZONES TRAITOR
    18 minutes
      AMAZONES TRAITOR - AMAZON TRAITOR 
Direct sequel to QUEEN KILLER Part 1 & 2
Important key elements of the custom (as always):
- oiled (sweaty bodies, please MORE than in QUEEN KILLER)
- emotional, lustful acting, animalistic, over-the-top
- protruding, clearly visible ribs, heavy breathing, lustful
- death scenes: arching, writhing, moaning, NEVER TOUCH THE WOUND, arms/legs outstretched, visble ribs
Costumes and props: exactly like in "Queen Killer": only this loincloth, necklace (queen Nadya only), barefoot, war paint, body oiled, big knife.
Actors:
Nadya - Amazon Queen
Angelina - Amazon Warrior
one of your guys - Brotherhood agent
Setting: in a normal living room, no special locations required. Dialogue in English if possible (if not Russian with subtitles).
Nadya is dressed in normal streetwear, she is sitting at a table, staring at a notebook screen. She is watching a video that the brotherhood sent her (Queen Killer, showing the demise of two other queens): she is aroused and disgusted at the same time. Finally she slams the notebook cover and yells "NOOOO!" 
She is very aroused and angry. Angelina rushes in (in streetwear, too).
Angelina: "My queen, what is wrong?"
Nadya: "The Brotherhood! They killed two of our queens! They know EVERYTHING! They know about the Queen Killer knife and found it! And they know about our weak spot - the navel!"
Angelina: "How is this possible? These are our secrets  for a long time!"
Nadya: "Exactly! There is only one way..." (Pause) "There must be a traitor in our tribe!"
Angelina: "This is not possible!"
Nadya: "It is! Now, let us dress up and prepare for a battle! They will come soon!"
Angelina nods. (Fade to black)
New scene, same room.
Nadya is now dressed as the amazon queen: loincloth, necklace, barefoot, war paint, oiled up. She is aroused and ready. She touches her belly and sticks a finger in her navel. She moans.
Angelina walks in, too, dressed as an amzon warrior: loincloth, necklace, barefoot, war paint, oiled up, too. One arm is behind her back, she is hiding something.
Angelina: "You are so beautiful my queen!" She licks her tongue.
Nadya notices that she is hiding something and understands.
Nadya: "You, Angelina?"
Angelina only smiles as an agent from the brotherhood walks in, too. Nadya stares angrily at him. 
Angelina shows what she is hiding behind her back: the queen killer knife! Nadya gasps in fear and excitement. She breathes heavily, staring at the knife which already unleashes its magic. Nadya feels so horny! She wants to die!!! She wants to be stabbed with this big knife in her bellybutton!!! She knows it´s a trick from the knife, but she can barely fight her lust to be killed! She won´t remove her necklace! Never!!!
Angelina approaches, the queen breathes heavily. Sucking in her belly deep in and out, slowly. Her ribs protrude so clearly with every breath! She stares at the agent as he shows her the knife! Slowly Angelina glides it over Nadya´s naked body and the queen gets more and more aroused.
Angelina finally smiles and pokes into the queens bellybutton. As the blade glides into her bellybutton she moans loudly. Her breathing becomes faster and deeper. Ohhh, so wants to be stabbed there so badly! She wants to feel the blade in her guts!!! But no, she won´t take her necklace off! 
Angelina: "Remove your necklace, my queen and I will stab you right there! Right in your bellybutton!"
Nadya moans and licks her lips, raises her arms slowly up. She is offering her naked body. 
Angelina: "I wil gut you like a pig. I know you want to feel the cold steel in your guts!"
Nadya  reists for some moments, then she tears the necklace and throws it away.She keeps her hands behind her head, she is offering her bellybutton to be stabbed! She is totally horny now and wants the blade inside her!! 
Nadya: "Stab me! Gut me like a pig!"
Angelina loves how the amazon queen is offering her naked body to her. Nadya stabs the knife deep inside her bellybutton.
"OOUGHHHH!!!" The queen grunts loud and her eyes open in shock and pain! Angelina holds the blade as they look and each other eyes for some seconds. Then she pulls it out. Nadya grunts again!! Angelina takes some steps back. The queen breathes heavily and looks down her belly. Her bellybutton is bleeding. She stares at Angelina in disbelief and finally sinks to her knees. She NOT touches the wound! NEVER!!!
The she falls on her back and starts to writhe, arch and moan in agony. More blood flows from her wound, down the sides also. LONG SCENE of arching, moaning, lustful, squirming, different camera angles, CLEARLY VISIBLE RIBS, NOT TOUCHING THE WOUND, arms and legs outstretched.. 
Again after some minutes she arches her back very high, screams LOUD and then spits a lot of blood from her mouth. She collapses back, dead.
Some more views of her bloody, dead body. And the necklace on the ground. 
The death of her queen has Angelina aroused a lot. She is totally horny now, too, while the agent observed the scene without much reaction.
Agent: "Come on, let´s get the computer and move! Other amazons will come soon!"
As he turns to get the computer, Angelina stabs the knife in his back. The agent is totally surprised. He screams and he turns around to Angelina, she stabs him again in the belly. The agent falls on his back, writhing in pain.
Angelina: "Did you really think I will work with the brotherhood? I only want to become queen!"
She laughs.
She sits down on his belly and raises the knife: "Time to die, bastard!"
She plunges the knife down but the agent can catch it- Angelina presses the blade down to his chest as he is blocking it with two hands. Both moan as they press over control.
Although the agent is badly wounded he is stronger than the amazon. Slowly he turns the blade pointing to Angelina´s belly. 
It comes closer and closer to her bellybutton, both moan in fight. Finally the tip has reached Angelinas navel and she moans loud. With a big thrust the agent stabs her belly button. Angelina grunts and her eyes widen in shock and pain.
Agent: "Now I show you how to to gut a pig!"
He twists the blade and Angelina screams loudly: "AIIIIIEEEYYYYYHHH!". She bends a bit over and spits blood on the agent´s face.
The agent pulls the blade out and pushes Angelina away like a piece of trash. She falls off, doubles over and land on her back. she does the same dying show as the queen:
More blood flows from her wound, down the sides also. LONG SCENE of arching, moaning, lustful, squirming, different camera angles, CLEARLY VISIBLE RIBS, NOT TOUCHING THE WOUND, arms and legs outstretched.. 
After some time Angelina somehow manages to get up on all fours. She has so much pain and will die soon but she will kill the agent first! Slowly she crawls to him (nice side shots please to see her ribs).  She bends over him to strangle him to death but in the same time the agent (who still has the knife) stabs her between the ribs. (she doesn´t have to sit on him, she is just to approach him, before she can do anything, she is stabbed).
Angelina grunts and her eyes widen again. More blood spills from her mouth. The agent pulls the knife out and Angelina falls to the side, on her back... dead.
Some views of both amazon bodies, than fade to black.
THE END.
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    Welcome To The Crime House Studio on Kinky Clips
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

    Featuring 994 Clips / 17118 minutes of video!

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